{"id":183,"date":"2011-05-26T23:12:31","date_gmt":"2011-05-26T23:12:31","guid":{"rendered":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/?p=183"},"modified":"2011-05-26T23:12:39","modified_gmt":"2011-05-26T23:12:39","slug":"we-belong-dead","status":"publish","type":"post","link":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/?p=183","title":{"rendered":"We belong dead."},"content":{"rendered":"<p><!--  p.MsoNormal \t{mso-style-parent:\"\"; \tmargin-bottom:.0001pt; \tfont-size:12.0pt; \tfont-family:\"Times New Roman\"; \tmargin-left:0cm; margin-right:0cm; margin-top:0cm}  li.MsoNormal \t{mso-style-parent:\"\"; \tmargin-bottom:.0001pt; \tfont-size:12.0pt; \tfont-family:\"Times New Roman\"; \tmargin-left:0cm; margin-right:0cm; margin-top:0cm} -->Well, things have been  slow and awkward this month. Northern Ireland has been swamped with heavy rain  and ferocious winds that&#8217;s kinda kept me indoors until yesterday, and life as a  whole has been very meandering and sluggish. I get by, but it ain&#8217;t the most  enjoyable of predicaments.<!--more--><\/p>\n<p>Progress report! Yes,  I&#8217;m still working on the ever-perpetual site revamp. No, it&#8217;s not very easy to  exactly describe how much progress is made. All the directories have been  rearranged and overhauled that&#8217;ll make my life a real blessing should I ever  dedicate time to the site again. Some sections have been given serious makeovers  with both new looks and new content, while some parts are just straight copies  of their current HTM files. It&#8217;s not going to be the most consistent lookin&#8217;  site in the world, but it&#8217;s not like I&#8217;d ever prided myself on my continuity.  Besides, it&#8217;s given me a whole bunch of opportunities to make  needlessly-graphical page designs, and that&#8217;s the best part of web design for  me.<\/p>\n<p>I was hoping to have  it ready for the start of June, but, well, that seems unlikely. Mid-June might  be possible, though as much as I was hyped about it, I haven&#8217;t made any work on  the Bomberman shrine outside of some rough notes and page designs, so even if  the site-wide revamp is online by then, that section will have to wait.<\/p>\n<p>Let&#8217;s cue some old  stuff I wrote.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong><span style=\"font-size: large;\"> Bride of Frankenstein:<\/span><\/strong><\/em><span style=\"font-size: large;\"> <\/span>Apparently Henry  Frankenstein didn&#8217;t die by being thrown from the top of a windmill, nor did the  monster get either torched to death or crushed beneath debris during its  burning. Just when Henry plans to leave this unfortunate event behind him, Dr.  Pretorius enters the scene and recruits Franky into helping him create a woman  from dead tissue. Meanwhile, the monster is taught the ways of life by a  friendly blind man, and learns that having friends is good, but after finding  out that the woman made especially for him doesn&#8217;t like him either, he blows  himself up. The end.<\/p>\n<p>It&#8217;s a strange sequel,  to put it simply.<\/p>\n<p>The original <em> Frankenstein<\/em> was a horror film, plain and simple. The monster is freaky-lookin&#8217;  and he kills a couple of people (if a bit misguided in doing so), and the  atmosphere is very stark and bleak. <em>Bride of Frankenstein<\/em> seems to take a  while to really settle in. It begins with a very strange, almost comedic vibe  where an old crone takes the spotlight in speaking out against the monster,  trying to warn people of its return and then getting uppity when no one listens,  followed by a very&#8230; <em>peculiar<\/em> visit to Pretorius&#8217;s lab, where he  displays some tiny home-grown people in jars for Frankenstein. No, seriously.  They otherwise have no plot significance. It is admittedly a really stupendous  special effects sequence, with the little characters climbing out of jars and  running across his desks, even Pretorius picking one of them up with a pair of  tongs,  but it&#8217;s quite irrelevant. It felt like something from <em>Jack The Giant Killer<\/em> instead, though without horrible Irish accents.<\/p>\n<p>And then after that,  we focus on the monster, who after some gratuitous scenes of scaring the  townsfolk and accidentally drowning another woman, stumbles into the home of a  blind man who takes care of him and treats him like a friend. It&#8217;s actually a  very touching scene, and shows that when people aren&#8217;t instinctively reacting to  his monstrous appearance, the monster isn&#8217;t actually that bad a guy. He does  accidentally burn down the guy&#8217;s house when two hunters start rampaging after  him, but if people still hadn&#8217;t been trying to murder him, it&#8217;s almost possible  that the creature and the blind man could&#8217;ve lived happily together for some  time.<\/p>\n<p>From there, the movie  gets a bit wibbly-wobbly and drawn-out. Frankenstein backs out of Pretorius&#8217;s  plan, and then rejoins him after the monster (recruited by Pretorius) kidnaps  Henry&#8217;s wife, so he has no choice but to make a mate for the monster. After a  rather gruellingly long creation sequence <span style=\"font-size: xx-small;\">(there&#8217;s some great  cinematography, yes, but it feels much like a reshoot of the original creation  sequence, except with two hunchbacks to order around this time)<\/span>, the  bride is made, and doesn&#8217;t really do much beside cock her head like a pigeon and  shriek any time the monster does anything. Then the monster hits a self-destruct  switch. It just seemed to trail off and drag on for so long that my interest  waned, and the conclusion just came across as a bit, well, sudden. A dynamic and  emotional send-off for the monster, I&#8217;ll give it that, but&#8230; eh, didn&#8217;t make  the greatest impact on me. Mind you, I&#8217;m sure the creation sequence would&#8217;ve  been a real treat to have seen in a theatre back in the day. All the loud noises  and dramatic low-angles seem custom-made just to make a real electrifying  sequence.<\/p>\n<p>Don&#8217;t make me  acknowledge that pun.<\/p>\n<p>Pretorius is a real  intriguing character. While Frankenstein almost embraced his madness during the  creation of the beast in the first film, he eventually regretted invading on  God&#8217;s territory, and struggled between his desire for scientific progress and  desire to, y&#8217;know, not have his creations run about murdering people. Pretorius,  meanwhile, has no such qualms is quite keen to take Frankenstein&#8217;s ideas and  take them even further. He embraces the idea of introducing &#8220;monsters&#8221; to the  world, and doesn&#8217;t seem at all surprised to find the monster sneaking up on him  while he&#8217;s having a picnic in a crypt; he even strikes up some idle banter with  the monster. He comes across as a real cartoon villain, though, and if it  weren&#8217;t for having such an intriguing actor <span style=\"font-size: xx-small;\">(that guy was  custom-made for darkly-lit low shots!)<\/span> it&#8217;d probably be hard to take him  seriously.<\/p>\n<p>It&#8217;s an odd film. I&#8217;m  glad I saw it, but it&#8217;s a very uneven watch; the sequence with the blind man was  very much worth it, but the rest was kinda hit and miss. Not sure if I&#8217;ll bother  watching <em>Son of Frankenstein<\/em>, but the Hammer Horror films might be worth  checking out.<\/p>\n<p>&nbsp;<\/p>\n<p><strong> <em><span style=\"font-size: large;\">Mad Max<\/span><\/em><span style=\"font-size: large;\">:<\/span><\/strong> Not bad, but not quite as rip-roaring as I was expecting; I didn&#8217;t know the  whole post-apocalyptic angle didn&#8217;t show up until the second one. It&#8217;s a very,  very straightforward revenge story that just so happens to have some  post-infrastructure themes going on, and it creates a very lonely, almost gothic  vibe to the film; you wouldn&#8217;t have to go far before you&#8217;re out of the reach of  civilisation. Some great sequences, though the opening chase scene with the  Night Rider steals the show. It&#8217;s got a quaintness going on, but it wasn&#8217;t as  totally superb as I was hoping, sadly.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong><span style=\"font-size: large;\"> The Midwich Cuckoos:<\/span><\/strong><\/em> <em>Day of the Triffids<\/em> made me a fan of  John Wyndham, so I knew I had to read this <span style=\"font-size: xx-small;\">(<strong>RQ87<\/strong> and I  caught one of the newer film adaptations for it on TV a couple of years ago, I  think)<\/span>. A very  intriguing story and premise, but as seems customary for his work, it&#8217;s very  plodding and a lot of it is just characters talking about things. There&#8217;s a lot  of talk about the things that could <strong>potentially<\/strong> happen, and less&#8230; well, <em>things happening<\/em>. It works in <em>Triffids<\/em> because, let&#8217;s face it, the world&#8217;s in a bit of a  state. A majority of the population is blinded, killer plants make easy  travelling a thing of the past, and the world will have to rebuild itself knowing that  they fucked themselves over with satellite weaponry (spoilers!). There&#8217;s a lot  of pondering to do. In <em>Cuckoos<\/em>, a  lot of the greater threat is only implied, not seen. We hear of the Children in  the likes of Russia and so on, but we never see it in-depth or anything. It&#8217;s  the kind of threat an average joe could live their life totally oblivious to,  whereas in <em>Triffids<\/em>&#8230; well, shit, you&#8217;re either permanently blinded or  being whipped to death by killer plants. Not the kind of thing you can just  ignore.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Today&#8217;s strained  attempt at getting some comment discussion going on: <\/strong>If you had a  Frankenstein&#8217;s monster <strong><span style=\"font-size: xx-small;\">(don&#8217;t get pedantic on me about the  structure of that sentence &gt;:U )<\/span><\/strong>, what would you call it? I&#8217;d  probably call it Toby. Or maybe Corky. Just depends on how nice it was.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, things have been slow and awkward this month. Northern Ireland has been swamped with heavy rain and ferocious winds that&#8217;s kinda kept me indoors until yesterday, and life as a whole has been very meandering and sluggish. I get by, but it ain&#8217;t the most enjoyable of predicaments.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[24,7,6,8],"class_list":["post-183","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-book","tag-movie","tag-review","tag-site-talk"],"_links":{"self":[{"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=183"}],"version-history":[{"count":0,"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/183\/revisions"}],"wp:attachment":[{"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/randomhoohaas.flyingomelette.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}